Fuller leans into a dioramic mise en scène, with meticulous color palettes, centered compositions, and handmade textures that recall Wes Anderson’s storybook control, Jean-Pierre Jeunet’s craft, and Michel Gondry’s tactile whimsy. Performance anchors the collage. Sloan gives Aurora a poised, unsettling watchfulness—both little girl and budding dramaturge of her own world—a revelatory performance. Mikkelsen plays the neighbor as a near-silent vector of violence whose competence edges, gradually, toward care. He’s a dark mirror of the “protector” Aurora craves. Sigourney Weaver is a mordant delight as a curt “madame” of contract killers, a queenpin who organizes death like a cotillion and steals every scene with a raised eyebrow.