Mike, Nick Nick and Alice (written and directed by BenDavid Grabinski) is built around a potentially useful gimmick—time, doubles, and underworld confusion—but the film rarely converts that premise into sustained pleasure or coherent tension. Structured around “the party” and its aftermath, it leans heavily on the energy of endless bickering, yet the repeated fighting quickly becomes predictable rather than dynamic: noise replaces rhythm, and irritation substitutes for escalation.