by Hudson Moura In Predator – Killer of Killers, the legendary alien hunter returns in a bold animated anthology that reimagines…
by Hudson Moura Dean Fleischer Camp’s Lilo & Stitch (2025) is not simply another Disney live-action remake—it is an ambitious, technically impressive…
by Hudson Moura In Jane Austen a Gâché ma Vie (Jane Austen Wrecked My Life), Laura Piani crafts a tender, bilingual romantic…
by Hudson Moura In Two Women, Chloé Robichaud offers a gently subversive and emotionally intelligent portrait of female desire, intimacy, and…
by Hudson Moura Three decades after Tom Cruise first took on the role of Ethan Hunt, Mission Impossible: The Final Reckoning…
by Hudson Moura In Apocalypse in the Tropics, Petra Costa continues her cinematic inquiry into Brazil’s fragile democratic fabric, this…
by Hudson Moura Marcelo Caetano’s Baby (2024) is a striking addition to Brazil’s long cinematic tradition of portraying marginalized youth navigating survival…
By Hudson Moura Steven Soderbergh returns to espionage with Black Bag, a sleek, cerebral thriller that revels in ambiguity, double-crosses, and…
by Hudson Moura Bong Joon-ho returns with Mickey 17, a sci-fi epic that ambitiously explores the disposability of human life…
by Hudson Moura Mati Diop’s documentary Dahomey takes us on a poignant journey that traces the return of 26 royal…
by Hudson Moura Sophie Desrape’s Shepherds (Bergers, 2024) opens with a striking juxtaposition: the immaculate whiteness of the Alpine peaks set against…
by Hudson Moura Paddington has charmed audiences for nearly a decade with his whimsical adventures, heartfelt sincerity, and quintessentially British humor. Paddington in…
by Hudson Moura For the past two decades, superhero films have dominated Hollywood, but recent trends indicate a decline in…
by Hudson Moura Jonathan Eusebio’s Love Hurts is an unfortunate exercise in genre overload—an action-packed martial arts spectacle that tries to blend…
by Hudson Moura Matthew Rankin’s Universal Language is a visually striking and intellectually dense cinematic experiment that merges Persian and Québécois cultures…
by Hudson Moura Mohammad Rasoulof’s The Seed of the Sacred Fig is a striking, ambitious drama that navigates the turbulent waters of…
by Hudson Moura Pedro Almodóvar’s first English-language film, The Room Next Door, masterfully explores themes of mortality, hope, and human connection…
Hudson Moura As a film critic for Radio-Canada, I am embracing a new approach to my reviews. While I typically…
Hudson Moura Sean Baker’s Anora is a dynamic blend of comedy, drama, and social commentary that immerses viewers in a…
by Hudson Moura Ridley Scott’s Gladiator 2 reimagines the epic scale and grandeur of the original film while weaving in elements of…
by Hudson Moura Christophe Honoré’s Marcello Mio is an ambitious yet uneven cinematic exploration of legacy, identity, and the shadow cast by…