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Hudson Moura
Professor, Film Critic and Programmer
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Film Reviews

Tenderness Under Constraint: Adolescent Motherhood and Solidarity in the Dardennes’ Jeunes Mères
Countdown in Algiers: Gendered Authority and Urban Realism in a 48-Hour Procedural
A Week to Choose Forever: Eternity Replays Casablanca’s Dilemma in a Bureaucratic Afterlife
Disarming the Predator: Tender Humanism and the Erosion of Mystique in Badlands
Léa Pool’s We’ll Find Happiness: A Bureaucratic Strip Search of Queer Lives
A Spectacle of Black Suffering: When No Chains, No Masters Lets Anti-Slavery Cinema Re-Enact the Violence It Condemns
Structurally Denied: Dominik Moll’s Case 137 and the Machinery of Police Impunity
Familiar Faces in a New Moral Knot: Robert Guédiguian’s The Thieving Magpie
Costa-Gavras’ The Last Breath: Humanizing Medicine and the Politics of Care
Niels Tavernier’s The Future Awaits: Repetition Without Depth
Holding the Keys: Motel Grand Pré by Calvin Liu
Montréal Ma Belle: Soft-Focused Desire and Frictionless Cross-Culture
Fanon: A Partial Portrait on a Pedestal
Queer Phantoms in Slow Motion: Only Good Things by Daniel Nolasco
“Sweet” Isn’t Simple: John Candy — I Like Me
Memorial Archives and Ethical Seeing in Cédric Klapisch’s Colours of Time
Branding the Underdog: How Challenger Boxes the Algorithm
Le Routard (The Rookie Guide): Postcards, Pranks, and a Low-Stakes Caper
Between Saving and Selling: Vultures and the Ethical Blind Spot of True-Crime
The Quiet Son: Love, Denial, and the Drift into Violence
Processing Climate Despair from Within: Anne Émond’s Peak Everything
Rewriting Reality One Joke at a Time: Émile Gaudreault’s Menteuse
Love Is Overrated: Mourad Winter’s Dramedy of Delayed Adulthood
Choosing the Road, Not the Exit: We Will Go (Bon voyage, Marie) by Enya Baroux
Rebuilding After the Blast: Et Maintenant? by Jocelyn Forgues
SPRINGSTEEN: Deliver Me from Nowhere — The Album’s Aura, Not Its Anatomy
Empty Cradle: The Hand That Rocks the Cradle
Sisu: White-Knuckle Mythmaking
Circuits Without Sparks: Tron: Ares
Premium Streaming Cinema: The Lost Bus (Apple TV) + Play Dirty (Amazon Prime Video)
Curtain Calls and Continuities: Downton Abbey: The Grand Finale
Wrong Place, Thin Plot, Right Tempo: Caught Stealing by Darren Aronofsky
From Uprising to Manhunt: “Free Borders, Free Bodies” and the Political Drift of Paul Thomas Anderson’s One Battle After Another
Refuge and Ruse: Ego’s Underwritten Romance in French Lover
Performance and Moral Order in Americana: Chad Powers (Glen Powell) and The Lowdown (Ethan Hawke)
Bau, Artist at War: A Heroic Life Reduced to Hollow Reverence
Amélie Bonnin’s Musicals “Partir un jour”: Gendered Gaze, Unsung Love, Loosely Held Threads
Jordan Peele’s Him: When Greatness and Storytelling Both Collapse Under Pressure
Swiped: No Match Found — A Biopic That Misses the Mark
The Weight of Wit: Transatlantic Comedy and Marital Cruelty in The Roses
Cozy Crimes, British Wit: Senior Agency in The Thursday Murder Club
Eenie Meanie: Fast, Furious, and a Bit Flimsy
Between Memoir and Melodrama: The Problematic Framing of ‘The Twisted Tale of Amanda Knox’ and Its Double Bind of Bias and Misinformation
Vanessa Kirby’s Netflix Psychological Thriller ‘Night Always Comes’: A Gritty but Predictable Descent into Survival and Trauma
How “Alien Earth” Reinvents the Alien Franchise: A Review of Noah Hawley’s FX Series on Disney+
The Fantastic Four First Steps: Retro-Futurist Heroics and the Mathematics of Family
Truth, Justice, and Geopolitics: James Gunn’s Bold Reframing of Superman
M3GAN 2.0: From Killer Doll to Cyber-Savior
Bride Hard: A Misfired Mashup of Action Tropes and Wedding Clichés
Celine Song’s Materialists: Valuing Love in a World of Worth
Voice, Body, Rebellion: Ney Matogrosso’s Dazzling Ballad on Netflix
Elio: A Cosmic Tale of Imagination and Connection
Time-Traveling Deathmatch: Predator – Killer of Killers Redefines the Hunt and the Honor Code
Animated Worlds: The Hybrid Charm of Lilo & Stitch
Between the Lines and Languages: Unwriting Romance in Jane Austen Wrecked My Life
Unapologetic and Unbound: Gender, Pleasure, and Freedom in Two Women
The Entity Within: Mission Impossible’s Dystopian and Spiritual Final Reckoning
Hot Docs 2025 Reviews
Apocalypse in the Tropics: The Gospel of Broken Democracy and Brazil’s Evangelical Politics
Marcelo Caetano’s Baby: Queer Emotional Survival in Brazilian Cinema
Black Bag — Steven Soderbergh’s Stylish Miscalibrated Spy Game of Deception and Doubt
Mickey 17: Bong Joon-ho’s Clone Allegory Falls Short of Greatness
Mati Diop’s Dahomey: A Poetic Journey of Cultural Restitution
The Weight of Wool and Words: Shepherds by Sophie Desrape
Paddington in Peru: In Search of the Bear’s El Dorado—Because Every Heart Has Its Own Treasure
Captain America: Brave New World – A Hero’s Legacy Lost in an Uncertain Future
Love Hurts: A Genre-Muddled, Charisma-Lacking Action Rom-Com
A Self-Absorbed Cinematic Puzzle of Symbols and Snow: Universal Language by Matthew Rankin
The Seed of the Sacred Fig: Rasoulof’s Unforgiving Suspenseful Lens on Authority and Defiance
The Room Next Door: The Unbearable Almodóvar
Top 5 Best Films of 2024
Anora: Sean Baker’s Vibrant but Predictable Take on Sex and Survival
Gladiator 2: A Bold Return to Rome – Shakespearean Tragedies in an Epic Saga
Marcello Mio: A Daughter’s Struggle to Disinhabit the Myth of Mastroianni
Back to Black: A Respectful but Surface-Level Tribute to Amy Winehouse
François Ozon: The French Cinema’s ‘Enfant Terrible’—Provocation, Mystery, and Multifaceted Artistry
When Fall is Coming: François Ozon’s Delicate Mystery in the Autumnal Forest
Unveiling Trauma and Identity: The Hidden Woman by Bashir Bensaddek Explores Deep Family Secrets and the Immigrant Experience in Montreal
Rebuilding in the Shadow of Destruction: Hotel Silence by Léa Pool
A Dark Game of Luck: Breaking Point by Yvan Attal
A Road Movie on Crossed Identities in Here & There by Ludovic Bernard
A Heist of Hearts: A Little Something Extra Takes Comedy into Troubled Waters
A Tender Yet Unclear Journey of Self-Discovery in Neon Dreaming
The Intersection of Desire, Science, and Faith in Tell Me Why These Things Are So Beautiful by Lyne Charlebois
Navigating Love, Family, and the Complexity of Separation in Meet the Leroys
A Lighthearted Rural Escape with Big City Expectations in Open Season
Secrets, Loyalty, and Laughter: A Delicate Dance of Betrayal in Riviera Revenge
Rosalie by Stephanie Di Giusto: A Sensitive Film for Our Time
1995 by Ricardo Trogi: A Frenzied Dive into Quebecois Culture
And the Party Goes On: Robert Guédiguian’s Reflection on Marseille’s Losses, Invisibility, and Voiceless Communities
Seguridad: A Poignant Exploration of Cuban Memory and the Father Figure in Canadian Diasporic Cinema
Joker: Folie à Deux — A Dark Deception of Fantasy, Madness, and the Nature of Villainy
Russians at War by Anastasia Trofimova: Propaganda or Complex Portrait of Soldiers in Conflict?
The Substance by Coralie Fargeat: A Haunting Critique of Beauty and Aging through Horror
Kinds of Kindness: Yorgos Lanthimos Explores Power and Human Complexity in a Striking Triptych
Dissonant Storytelling: Dev Patel’s ‘Monkey Man’ and Its Over-the-Top Turmoil
Spirits of the Past: Unpacking ‘Ghostbusters: Frozen Empire’

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