by Hudson Moura “Free borders, free bodies, free choices, free fucking fear!” Perfidia (Teyana Taylor) spits at Col. Steven J.…
by Hudson Moura French Lover frames the film set as a fairy-tale enclave—à la Notting Hill—where cinema becomes both refuge and ruse.…
by Hudson Moura Sean McNamara’s Bau, Artist at War attempts to capture the remarkable life of Joseph Bau—a Holocaust survivor, document forger,…
by Hudson Moura Updated on October 31, 2025 With Partir un jour (Leave One Day, feature’s English title), French writer-director Amélie Bonnin returns…
by Hudson Moura In Him (2025), director Justin Tipping and producer Jordan Peele deliver a surreal, psychologically charged descent into…
Rachel Lee Goldenberg’s tech biopic tries to swipe right on feminist heroism, but leaves behind an empty profile.
by Hudson Moura Co-written by director Mathieu Denis, The Cost of Heaven (Gagne ton ciel, Québec, 2025) is a taut,…
by Hudson Moura Jay Roach—whose career toggles between broad American farce (Austin Powers, Meet the Parents) and sober topical drama (Bombshell)—returns…
by Hudson Moura Directed by Chris Columbus—best known for American box-office hits such as Home Alone (1990) and Mrs. Doubtfire (1993)—The Thursday Murder…
by Hudson Moura Written and directed by Shawn Simmons, Eenie Meanie is a gender-flipped car-chase thriller that never quite decides whether it…
by Hudson Moura Directed by Benjamin Caron and written by Sarah Conradt, Night Always Comes (2025) is an adaptation of Willy Vlautin’s…
by Hudson Moura Matt Shakman’s The Fantastic Four: First Steps (2025) is a daring blend of nostalgic pastiche and futuristic spectacle, reinventing…
by Hudson Moura In Superman (2025), written and directed by James Gunn, the iconic Kryptonian returns not just to save…
by Hudson Moura In M3GAN 2.0 (2025), director Gerard Johnstone leans fully into the techno-paranoia and dark humor that made the original…
by Hudson Moura In Materialists, Canado-Korean playwright-turned-filmmaker Celine Song (Past Lives) returns with a romantic dramedy that cleverly interrogates the tensions…
by Hudson Moura In Latin Blood: The Ballad of Ney Matogrosso (Homem com H, Brazil, 2025), director Esmir Filho crafts a…
by Hudson Moura With a title that playfully riffs on Die Hard, Bride Hard arrives as an action-comedy hybrid that attempts to blend…
Hudson Moura As a film critic for Radio-Canada, I am embracing a new approach to my reviews. While I typically…
by Hudson Moura Christophe Honoré’s Marcello Mio is an ambitious yet uneven cinematic exploration of legacy, identity, and the shadow cast by…
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Media, Art, and Culture ISSN 1918-4026 Intermedias Review is an independent publication based on reviews of art, media, and their interconnections. We…