by Hudson Moura With Menteuse, Émile Gaudreault returns to the comic universe he knows best: ordinary Québécois characters whose small, everyday…
by Hudson Moura Mourad Winter’s Love Is Overrated is less a film about love than a film about the inability to enter reality.…
by Hudson Moura Enya Baroux’s We Will Go (also circulating in French as On Ira/Bon voyage, Marie) is a small, disarming film that…
by Hudson Moura Jacelyn Forgues’ Et Maintenant is a cancer film that refuses to be only a cancer film. On le papier,…
by Hudson Moura Scott Cooper’s SPRINGSTEEN: Deliver Me from Nowhere sets itself a clean, compelling brief: track the making of…
by Hudson Moura Michelle Garza Cervera’s reworking of The Hand That Rocks the Cradle aims to refit the early-’90s domestic thriller to…
by Hudson Moura Helander opens with a definition card—“Sisu is a Finnish word that cannot be translated… a white-knuckle form of…
by Hudson Moura Tron: Ares returns to the franchise’s neon metaphysics with a premise that ought to feel timely: a world…
by Hudson Moura The conversation about “straight-to-streaming” releases is no longer about dumping weak titles, rather it’s about calibrating audience,…
by Hudson Moura Downton Abbey: The Grand Finale leans into what has made the franchise singular: an impeccably produced British period…
by Hudson Moura Darren Aronofsky’s first post-The Whale pivot is a full-throttle genre swerve: a bruised, breathless caper-thriller set in 1990s…
by Hudson Moura “Free borders, free bodies, free choices, free fucking fear!” Perfidia (Teyana Taylor) spits at Col. Steven J.…
by Hudson Moura French Lover frames the film set as a fairy-tale enclave—à la Notting Hill—where cinema becomes both refuge and ruse.…
by Hudson Moura In a season crowded with star-led vehicles, two projects stand out for how explicitly they turn performance…
by Hudson Moura Sean McNamara’s Bau, Artist at War attempts to capture the remarkable life of Joseph Bau—a Holocaust survivor, document forger,…
by Hudson Moura Updated on October 31, 2025 With Partir un jour (Leave One Day, feature’s English title), French writer-director Amélie Bonnin returns…
by Hudson Moura In Him (2025), director Justin Tipping and producer Jordan Peele deliver a surreal, psychologically charged descent into…
Rachel Lee Goldenberg’s tech biopic tries to swipe right on feminist heroism, but leaves behind an empty profile.
by Hudson Moura Co-written by director Mathieu Denis, The Cost of Heaven (Gagne ton ciel, Québec, 2025) is a taut,…
by Hudson Moura Jay Roach—whose career toggles between broad American farce (Austin Powers, Meet the Parents) and sober topical drama (Bombshell)—returns…
by Hudson Moura Directed by Chris Columbus—best known for American box-office hits such as Home Alone (1990) and Mrs. Doubtfire (1993)—The Thursday Murder…