by Hudson Moura With Menteuse, Émile Gaudreault returns to the comic universe he knows best: ordinary Québécois characters whose small, everyday…
by Hudson Moura Mourad Winter’s Love Is Overrated is less a film about love than a film about the inability to enter reality.…
by Hudson Moura Enya Baroux’s We Will Go (also circulating in French as On Ira/Bon voyage, Marie) is a small, disarming film that…
by Hudson Moura Jacelyn Forgues’ Et Maintenant is a cancer film that refuses to be only a cancer film. On le papier,…
As North America’s largest documentary film festival unfolds from April 25 to May 5, I’ll cover a selection of standout…
by Hudson Moura In Apocalypse in the Tropics, Petra Costa continues her cinematic inquiry into Brazil’s fragile democratic fabric, this…
by Hudson Moura Léa Pool, one of the most esteemed directors in Quebecois cinema, returns with a powerful adaptation of…
by Hudson Moura At its core,Breaking Point (Un Coup de Dès) is a classic story of jealousy, betrayal, and luck,…
by Hudson Moura At the heart of Neon Dreaming is the tender and mysterious story of an 8-year-old girl who has grown…
by Hudson Moura At its core, Tell Me Why These Things Are So Beautiful (Dis-moi pourquoi les choses sont si belles) is…
by Hudson Moura Meet the Leroys by Florent Bernard dives into the emotional turmoil and bittersweet nostalgia of a family…
By Hudson Moura In its original title, the French comedy Open Season, or Chasse-Gardée, loses some of its playful wordplay in translation.…
by Hudson Moura A long-hidden secret surfaces in the opening sequence of Riviera Revenge (N’avoue Jamais), directed by Ivan Calbérac,…
by Hudson Moura Rosalie, directed by Stephanie Di Giusto, is a sensitive film that addresses themes especially relevant today. The…
by Hudson Moura Ricardo Trogi’s 1995 bursts with frenetic energy, brilliantly capturing the chaotic personality of its main character—Trogi himself—portrayed…
by Hudson Moura Robert Guédiguian returns with And the Party Goes On ! (Et la fête continue!), a film deeply rooted…
by Hudson Moura In the tradition of Canadian diasporic first-person films, filmmakers often delve into their experiences of exile and…
by Hudson Moura (Professor of Politics & Film at the Toronto Metropolitan University and Film Commentator for Radio Canada) The…
by Willis Wong Shot almost entirely in the vast expanses of the Ragunan Zoo in Jakarta, Postcards follows the wandering…
By Willis Wong The 18th century island mansion in The Capsule is as much a character as are the women…
by Athena Wong What do you get when you watch three 90-minute features played back to back with two 15-minute…